When renowned Italian football journalist Fabrizio Romano announced Winky D’s August 30 show at Alex Sports Club, it marked a significant moment for the artist.
This will be his first major performance in the capital since his appearance at the ladies-only Doek and Slay event.
The news has sparked considerable discussion — will Alex Sports Club become Winky D’s new "Jabhuna"?
This question arises after last year’s dispute between Winky D and Gateway Streams Media over the use of the Harare International Conference Centre (HICC) main auditorium.
The HICC, affectionately known as "Jabhuna" (meaning “home” or “fortress”) has been synonymous with Winky D’s annual crossover performances.
However, it was occupied by gospel musician Everton Mlalazi for a private dinner and concert last year.
Adding to the excitement, fans are speculating whether Winky D will launch a new album at the August 30 show.
The artist has kept details under wraps, with Fabrizio Romano simply urging fans to await updates.
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Perhaps the most intriguing development surrounding the upcoming concert is the sudden outpouring of support for Winky D from members of the ruling Zanu PF party.
This has left many observers questioning the sincerity of their move, especially given the party's past stance against the artist.
Zanu PF has openly called for Winky D to be “muted” and prevented from performing his politically and socially conscious songs.
Last week, Taurai Kandishaya, a Zanu PF member, posted two messages on Facebook, endorsing Winky D and pledging to attend the August 30 show.
“August 30, Alex Sports Club we will be there. It's time to celebrate talent and nationality, differences will come second,” he posted.
Even Holy Ten, another artist aligned with Zanu PF who has previously insulted Winky D, despite featuring on his track iBotso, has recently described Winky D as “number one”.
Many social media commentators are approaching this newfound “support” with skepticism, doubting the genuine nature of these gestures.
Some theories suggest that Zanu PF might be attempting to gain influence over the artist’s new venue or even aiming to create a hostile environment.
