In a country where music often mirrors society’s deepest divisions, Zimbabwean music promoter Patson Chimbodza — affectionately known as Chipaz — has achieved what many thought impossible: he brought together two of the nation’s biggest and most influential musicians, Jah Prayzah and Winky D, on one stage, and in the process united Zimbabweans across political, social and cultural lines.
The historic moment unfolded at the Glamis Arena on New Year’s Eve at the One Big Show, a night that has already been etched into Zimbabwe’s arts and entertainment folklore.
Long before the first chord was struck, the atmosphere crackled with anticipation.
By the time midnight approached, the venue was a sea of humanity — fans draped in different colours, yet moving to the same rhythm.
Chillmaster, Killer T, Feli Nandi and Kurai Makore warmed up the stage during the show, which was backed by cigarette manufacturing company, SWAN.
For a few powerful hours, music drowned out political labels and replaced them with collective joy.
At the centre of it all was Chipaz, the quiet, but determined architect behind the scenes.
Operating under Chipaz Promotions, Chimbodza has been in the entertainment game since 2004, steadily building credibility through consistency, resilience and an unwavering belief in Zimbabwean talent.
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While he has organised numerous shows before, the One Big Show proved to be a defining moment — not just for his career, but for the industry at large.
It was a statement that bold vision, professional execution and respect for artists can still command national attention.
Bringing Jah Prayzah, a global brand whose music resonates from rural Zimbabwe to international stages, together with Winky D, the voice of the streets and a cultural force with a fiercely loyal following, was more than a booking coup. It was a symbolic gesture.
These are artists whose fan bases are often stereotyped and politically pigeonholed, yet under Chipaz’s banner, those perceived barriers dissolved.
The crowd’s reaction told its own story.
When Jah Prayzah took to the stage, the cheers were thunderous.
When Winky D followed, the energy was electric. And when their performances became part of the same night, the message was unmistakable: Zimbabweans can celebrate together, regardless of political affiliation, when given the right platform.
The significance of Chipaz’s achievement did not go unnoticed by the artists themselves.
In the days following the show, both Jah Prayzah and Winky D took to their social media platforms to acknowledge Chipaz, publicly saluting his professionalism and vision.
“It was indeed a Big Party. Thank you all for coming out to celebrate 2025 and step into 2026 with us,” posted Jah Prayzah on his Facebook Page.
“Big thank you to Chipaz Promotions for such an organised event. Big shout out to my brother Winky D and every other artist who made sure the people got a befitting crossover.”
Winky D also poured out heartfelt gratitude to his devoted fan base, the Gafas and the event organisers.
“From the first drumbeat to the last echo during my set, your voices blazed and rose like a sacred flame,” Winky D wrote.
“You communed with a story and struggle woven in melody.”
The artist said the unwavering faith shown by his supporters over the years has been both humbling and sustaining, noting that the Gafas’ chants and energy have kept the Gafa musical journey alive beyond the stage.
“Your support irrefutably proves that art does not only exist on stage, but lives more in the hearts of those who believe and find meaning in it,”
Winky D also extended appreciation to Jah Prayzah, Chipaz Promotions, and all participating artists for contributing to what many fans described as a memorable celebration of Zimbabwean music and culture.
In an industry where promoters often work in the shadows and are quick to be criticised, such recognition from top-tier musicians spoke volumes.
“This acknowledgment from the artists was as important as the show itself,” said arts critic and music promoter Benjamin Nyandoro.
“It signalled a growing respect between artists and promoters, and highlighted the value of promoters who prioritise unity, organisation and the dignity of performers.”
Nyandoro, who was among people behind the scenes, said beyond the spectacle, the One Big Show carried deeper meaning.
“At a time when Zimbabwe remains polarised, Chipaz demonstrated that art — when curated with intention — can serve as common ground,” he said.
“The event became a reminder that music has the power to soften hardened lines, to remind people of shared identity beyond politics.”
An arts analyst who spoke on conditions of anonymity said Chipaz was the promoter to beat at the moment.
“Chipaz’s ability to deliver a high-calibre event, manage complex artist dynamics and still connect with the ordinary fan has elevated him to the top tier of Zimbabwe’s entertainment promoters,” he said.
